Home, Land and Sea – Situating Music in Aotearoa, New Zealand presents twenty different viewpoints on music in Aotearoa/New Zealand. A selection of experts examine the vast range of music production in this country and relate it to what it might say about our homeland, our diverse population, our landscape and our identities.
The collection surveys traditional and popular music created by Mäori and Pacific Islanders, distinctively Polynesian brands of reggae and hip hop, the music of migrants from such areas as Latin America, China, Japan and Greece, the electronic and instrumental music traditions made more local by Douglas Lilburn, the internationally recognised ‘Dunedin sound’ of the Flying Nun label, and the eccentric electroacoustic of ‘outsider’ musicians, revealing an ever-increasing diversity of music in New Zealand.
Home, Land and Sea is the first comprehensive academic study incorporating contemporary popular, experimental and art music practices in New Zealand. Written for a tertiary audience it will be of relevance to scholars of a variety of disciplines including music; media and communications; cultural studies; sociology; anthropology and geography.
'This collection will be the 'go-to' general book on New Zealand music for some years' New Zealand Sociology Volume 26 Issue 2 2011
